Lilli: Behind the Plastic

The Virtual Exhibition of the Original Barbie

Role

Advertising, Art Direction, Audience Research, Branding, Copywriting, Creative Strategy, Digital Exhibition Design, Logo Design

Discipline

Digital Exhibition

Sector

Arts & Culture

Overview

Before Barbie became a surgeon, astronaut, or marine biologist, she was Lilli, a German comic-strip character representing the post-war ideal woman—independence, flirtatiousness, and unapologetic confidence. This interactive digital exhibition, hosted on the Brooklyn Museum website, will uncover the doll’s undisclosed past, revealing the transformation from Lilli to the beloved figure, Barbie.

Insight

Based on the popular comic in the tabloid newspaper Bild, the Lilli doll debuted in Germany in 1955. Embodying the ideal post-war woman, Lilli was independent yet valued marriage, flirtatious, selective with men, youthful, attractive, and confidently showcased her body. Unlike her American successor, the Lilli doll was not marketed to children and was sold at newsstands rather than toy shops. During a 1956 vacation, Mattel co-founder Ruth Handler encountered the doll and brought three back home. Three years later, after making some minor tweaks, Mattel released the first Barbie in 1959.

Brand Concept

To capture the enigmatic essence of Lilli, this digital exhibition employs solid colors in irregular forms. These colors symbolize reality, while the shapes represent the intricate misconceptions surrounding Lilli, who was often misunderstood as merely a sexualized figure due to translation gaps from the original comic. Additionally, elements inspired by Barbie are utilized to evoke familiarity and engagement.

In the 'Lilli Doll Hit the Shelves' section, visitors can immerse themselves in a playful experience of changing the doll's outfit and transforming the illustration into a doll. This section invites hands-on exploration and highlights the striking similarities between Lilli and Barbie. Both dolls boast an extensive array of wardrobe choices and miniature dollhouses, emphasizing the evolution and shared fashion legacy of these iconic figures.

This section showcases the introduction of Barbie and marks the gradual phasing out of Lilli. Here, visitors have a unique opportunity to transform Lilli into Barbie, symbolizing the progression through time.

A life-size cardboard cutout of Lilli next to the subway kiosk is designed to attract pedestrian attention on the street.

Advertising Strategy

The ad campaign aims to showcase the exhibition's interactive features and unveil Barbie's undisclosed past. The strategic choice of subway digital screen advertising is driven by the goal of reaching a diverse audience in high-traffic urban environments. This decision ensures extended exposure, allowing people to engage with the ads during wait times. The medium also offers a cost-effective way to direct traffic to the online exhibition through QR codes on each ad. The tagline 'The story of Barbie is also the story of…' aims to establish a connection between Lilli and Barbie, accompanied by a descriptor that offers a fun fact about Lilli to pique people's interest in visiting the exhibition.


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Brothers at War | Book Design